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Übersicht

Fulda, City Parish Church of St. Blasius detailed

 

I. HAUPTWERK

C-f³

Stops in order as they appear on the chest, new cone chests behind the side flats

 

 

 

Principal

16'

C – Ds spruce, open, 1900; E – cs° in the side flats, d° - h° in Oberwerk facade, 75% tin, 2005; c1 – f3 tin, 1837, own scale

Octave

4'

C – f3 tin, 1900, Töpfer scale B, -1HT

Gedeckt

4'

C – f2 tin, stopped pipes, 1900, Töpfer scale B – 6HT; fs2 – f3 conical open, tin, 1900, Töpfer scale B -3 HT

Rauschpfeife 2f

2 2/3'

C – f3 tin, open, 1900, Töpfer scale B – 1HT
Composition:
C          2 2/3’    2’

Cornet 3f (ab g°)

4'

g°- f3 tin, open, 1900, Töpfer scale B + 2HT
Composition:
g°         4’         2 2/3’    1 3/5’

Mixtur 2 – 5f

2'

C – f3 tin, 2005, reconstruction of the mixtures from 1900, Töpfer scale B – 1HT
Composition:
C                                                             2’      1 1/3’
G                                               2 2/3’     2’      1 1/3’
g°                                     4’      2 2/3’     2’      1 1/3’
c1                  8’                    4’      2 2/3’     2’      1 1/3’
c2             8’      5 1/3’     4’      2 2/3’     2’

Tuningboard               

            

 

Trompete

8'

C – f3 German design, tin resonators and sockets, 1900

Quintatön

8'

C – cs° tin, 2005; d° - f3 tin, 1837, own scale

Bordun

8'

C – f2 spruce/ maple, stopped pipes, fs2 – f3 tin, stopped pipes; reconstruction 2005; Töpfer scale B + 5HT

Hohlflöte

8'

C – H stopped pipes, spruce, 1900; c° - f3 open spruce/ oak, very wide mouths, 1900; own scale

Fugara

8'

C – H tin, open, reconstruction 2005; c° - f3 tin, had been shortened to 4’, once more restored to 8’; 1900; Töpfer scale B –11HT

Principal

8'

C – H reconstruction 2005; c° - f3 tin, 1900; Töpfer scale B +2

 

 

 

II. NEBENWERK

C-f³

Stops in order as they appear on the chest, new cone chests behind the central flats

 

 

 

Principal

8'

C – a° facade in the lower central flat, 75% tin, reconstruction 2005, own scale after Raster; b° - f3 tin, inside 1900, Töpfer scale B full

Unda maris    (ab e°)

8'

Facade e° - f3; own scale; e° - f1, reconstruction 2005, fs1 – f3 tin, 1837

Octave

4'

C – f3 tin, open, 1900, Töpfer scale B -3

Fugara

4'

C – f3 tin, open, reconstruction 2005, Töpfer scale B, -10 HT

Rohrflöte

4'

C – f2 tin, stopped with chimneys, fs2 – f3 tin, open conical, 1900, own scale

Octave

2'

C – f3 tin, open, reconstruction 2005; Töpfer scale B – 3HT

Mixtur 4f

1 1/3'

C – f3 tin, 2005, Töpfer scale B – 3HT
Composition:
C                                        2’    1 1/3’    1’    2/3’
c °                        2 2/3’    2’    1 1/3’    1’
c1                    4’  2 2/3’    2’    1 1/3’
c2           5 1/3’  4’  2 2/3’    2’

Tuningboard

 

 

Clarinette

8'

C – f3 tin, free reed stop in the fashion of Schiedmeyer, reconstruction 2005

Gedeckt

8'

C – f2 spruce/maple stopped pipes, fs2 – f3 tin, stopped pipes; Töpfer scale B – 7HT

Gamba

8'

C – H tin, reconstruction 2005, c° - f3 had been shortened to 2’, once more restored to 8’, tin, 1900; Töpfer scale B – 14HT

Quintatön

16'

C – h° spruce, reconstruction 2005; c1 – f3 tin, stopped pipes, 1900; Töpfer scale B –6HT

 

 

 

III. SCHWELLWERK

C-f³

Stops in order as they appear on the chest from left to right, c - cs cone chests from 1900 behind the façade of the „Oberwerk“ and rotated 90 degrees

 

 

 

Oboe

8'

C – f3 tin, built after the German method, 1900.

Harmonia aeth. 4f

2 2/3'

C – f3 tin, 2005, string mixture, Töpfer scale B – 17 HT
Composition:
C                                 2’         1 3/5’    1 1/3’
c1                  4’         2 2/3’    2’         1 3/5’

Gemshorn

4'

C – f1 had been used as Weitpfeife 2’ in Pedal, original pipe length restored; C conical open, 1900; Cs – f1 conical open, tin, 1837; fs1 – f3 reconstructed, tin; own scale

Vox coelestis (ab c°)

8'

c° - f3 tin, reconstruction 2005, Töpfer scale B - 19

Viola

4'

C– f3 open, tin; Töpfer scale B – 12 HT

Geigenprincipal

8'

C – H tin, open, reconstruction 2005; c° - f3 consolidated from the Pedal mixture; Töpfer scale B – 6 HT

Gamba

8'

C – H spruce, stopped pipes; c° - f3 tin, open, reconstruction 2005; Töpfer scale B – 10 HT

Tuningboard

 

 

Bordun

16'

C – f3 spruce/maple, stopped pipes, davon c° - h° 1900, C – H, c1 – f3 reconstruction 2005; Töpfer scale B – 10 HT

Salicional

8'

C – f3 tin, open, of which C – H tin, reconstruction 2005, c° -f3 used in Weidenpfeife 8’; Töpfer scale B – 15 HT

Aeoline

8'

C – f3 tin, open; Töpfer scale B – 17 HT

Principal

4'

C – f3 tin, open; Töpfer scale B – 4 HT

Wiener Flöte

8'

Combined with Liebl.Ged. 8', c° - f3 open, semi-circular mouths, very nicely built pipes, not made by Eggert but from 1900; own scale

Lieblich Gedeckt

8'

C – f2 spruce/maple, stopped pipes, of which C – H 1900, c° - f2 reconstruction 2005; Töpfer scale B – 7 HT,  fs2 – f3 tin, stopped pipes; Töpfer scale B –6 HT

Traversflöte

4'

C – f3 tin, from c1 overblowing, 1900; own scale

Flageolet

2'

C – f3 tin, from fs° overblowing, 2005, own scale

Progression

2'

C – f3 tin, 2005, reconstruction of the Progression mixture from 1900, Töpfer scale B – 4HT
Composition:
C                                               2’             1 1/3’
c°                              2 2/3’       2’             1 1/3’
c1                         4’    2 2/3’       2’             1 1/3’
c2         5 1/3’    4’    2 2/3’       2’      2’

Tuba

8'

C – f3 German design; full, round tone; tin, 2005

 

 

 

PEDAL

C-d1

Stops in order as they appear on the chest, cone chest from 1900, positioned behind the case at ground level

Untersatz

32'

Spruce, stopped pipes, positioned on its own chest in the organ case, 2005; scale after Subbass 16’

Trompete

8'

C – d1 tin resonator and socket, 1900

Posaune

16'

C – d1 spruce resonator and socket, 1900

Quintbass

10 2/3'

C – d1 spruce, stopped pipes, 1900, Töpfer scale – 2 HT

Octavbass

8'

C – d1 spruce, open, 1900, Töpfer scale, depth + 2 HT, width – 2 HT

Subbass

16'

C – d1 spruce, stopped pipes, 1900, Töpfer scale, depth – 4 HT, width – 9HT

Principalbass

16'

C – d1 spruce, open, 1900, Töpfer scale + 1 HT

Salicetbass

16'

C – d1 tin, open, reconstruction 2005, Töpfer scale – 13 HT

Gedecktbass

8'

C – d1 spruce, stopped pipes, 1900, Töpfer scale – 6 HT

Octave

4'

C – d1 tin, open, of which C, Cs 1900, D – d1 1837

 

 

 

 

 

Total: 505 wooden + 2651 tin = 3156 pipes