Scarsdale/NY, USA, St. James the Less Episcopal
IV/65, elektr./elektr., 2017
I. POSITIVE |
C-c4 |
| Principal | 8' |
| Flûte à cheminée | 8' |
| Salicional | 8' |
| Prestant | 4' |
| Flûte à bec | 4' |
| Nasard | 2 2/3' |
| Doublette | 2' |
| Tierce | 1 3/5' |
| Plein jeu III | 1' |
| Clarinette | 8' |
| Tremolo | |
| Festival Trumpet (Ant) | 8' |
II. GREAT |
C-c4 |
| Principal | 16' |
| Diapason | 8' |
| Principal (ext) | 8' |
| Flûte harmonique | 8' |
| Gedackt | 8' |
| Principal (ext) | 4' |
| Octave | 4' |
| Nachthorn | 4' |
| Quinte | 2 2/3' |
| Superoctave | 2' |
| Mixtur IV | 1 1/3' |
| Trompete | 16' |
| Trompete | 8' |
| Festival Trumpet (Ant) | 8' |
III. SWELL |
C-c4 |
| Bourdon | 16' |
| Diapason | 8' |
| Bourdon | 8' |
| Gambe | 8' |
| Voix céleste | 8' |
| Flûte octaviante | 4' |
| Octavin | 2' |
| Mixture IV | 2 2/3' |
| Basson | 16' |
| Trompette harmonique | 8' |
| Hautbois | 8' |
| Clairon | 4' |
| Tremolo | |
| Festival Trumpet (Ant) | 8' |
IV. ANTIPHONAL GREAT |
C-c4 |
| Bourdon | 16' |
| Open Diapason | 8' |
| Octave | 4' |
| Flute | 4' |
| Fifteenth | 2' |
IV. ANTIPHONAL SWELL |
C-c4 |
| Open Flute | 8' |
| Stopped Diapason | 8' |
| Octave | 4' |
| Oboe | 8' |
| Tremolo | |
| Festival Trumpet | 8' |
PEDAL |
C-g1 |
| Bourdon | 32' |
| Contrabass | 16' |
| Principal (Gt) | 16' |
| Subbass | 16' |
| Bourdon (Sw) | 16' |
| Octavbass | 8' |
| Bassflöte | 8' |
| Salicional (Pos) | 8' |
| Bourdon (Sw) | 8' |
| Superoctave | 4' |
| 37 67/105' * | (32') |
| Posaune | 16' |
| Trompete | 8' |
| Festival Trumpet (Ant) | 8' |
KOPPELN/COUPLERS |
|
| Inter-Manual: | |
| I – II | |
| III – II | |
| III – I | |
| I – P | |
| II – P | |
| III – P | |
| III – P Octave | |
| Ant Gt – I | |
| Ant Gt – II | |
| Ant Gt – P | |
| Ant Sw – I | |
| Ant Sw – II | |
| Ant Sw – III | |
| Ant Sw – P | |
| Intra-Manual: | |
| Pos Octave | |
| Pos Suboctave | |
| Pos Unison off | |
| Sw Octave | |
| Sw Suboctave | |
| Sw Unison off | |
| Ant Gt Octave | |
| Ant Gt Suboctave | |
| Ant Gt Unison off | |
| Ant Sw Octave | |
| Ant Sw Suboctave | |
| Ant Sw Unison off |
* Das Register soll nach süddeutsch-frühromantischer Tradition den 32'-Bereich der Orgel akustisch ergänzen, da für einen "echten" 32' kein Platz zur Verfügung steht. Es setzt sich zusammen aus 16' (Grundton=Oktave), 10 2/3' (Quinte), 6 2/5' (Terz) und 4 4/7' (Septime), die zusammen als Interferenzton den 32' ergeben. Mit dem Organisten waren wir auf der Suche nach einem Namen, der zwar nicht ein echtes 32'-Register vortäuschen sollte, aber auch nicht so prosaisch ist, wie das im Englisch-sprachigen Raum gebräuchliche "Resultant". Aus einer Laune heraus haben wir einfach die Brüche der Fußtonlagen der Einzelchöre addiert. Und das ergibt 7904/210 oder gekürzt eben 37 67/105. Dieser spontane Einfall hat dann seinen Weg auf den Registerknopf gefunden.
* The stop is meant to support the 32' basis of the organ acoustically as there is no space available for a real 32' stop. The stop comprises four ranks at 16' (base), 10 2/3' (third), 6 2/5' (fifth) and 4 4/7' (seventh) pitches which together create the resultant frequency of the 32'. Together with the organist, we were looking for a name for this stop which is less prosaic that the usual 'Resultant'. Following a sudden inspriation, we just added the fractions of the four pitches. The result is 7904/210, or – cancelled down – 37 67/105. And this cryptic figure found its way onto the stop face.
